Our Forgotten Dramas season continues on Monday 13 February at 6.20 pm in NFT2 with a double bill of 1970s political dramas, made by Granada, at which we will be very pleased to welcome the director of The Nearly Man, John Irvin, and the script-editor of The Eagle Has Landed, Jonathan Powell. The Eagle Has … Continue reading
Our second ‘Forgotten Television Dramas’ season launches at 6.00 this evening with a screening of John Osborne’s ‘The Hotel in Amsterdam’, unseen since 1971. A full article about this play (and a later 2004 BBC production) can be found on our blog here. The screening will be followed by a discussion with the play’s … Continue reading
We are pleased to be able to announce details of the second ‘Forgotten Dramas: Rediscovering British Television’s Neglected Plays’ season, held at BFI Southbank this February, curated by Lez Cooke, John Hill and Billy Smart as a part of the AHRC-funded ‘History of Forgotten Television Drama in the UK’ project at Royal Holloway College, University … Continue reading
Researching old television drama is often an archaeological process. When programmes don’t survive, a trained historian and theorist can sometimes pick up (and hopefully convey) some idea of what they might have been like through secondary sources.
By John Hill The directors Ken Loach and Ken Russell are usually considered to be operating at opposite ends of the aesthetic scale with Loach traditionally associated with documentary-realist sobriety and Russell identified with neo-romantic excess…
This is the official blog of the ‘History of Forgotten Television Drama in the UK’ project, Royal Holloway College, University of London. This 3-year AHRC-funded project will explore why many television dramas made in the regions and nations of the UK between 1946 and 1982 have been ‘forgotten’ while others have been elevated to the … Continue reading
Don’t have nightmares. We decided to open our season – ‘Dramatic Spaces: The Imaginative World of the TV Studio’ – with The Exorcism (BBC2, 5 November 1972) for two reasons.
Today’s post considers the specific nature of performance in multi-camera studio television drama of the 1970s, through textual analysis and production context of Hunters Walk (ITV/ATV 1973-76), a now-forgotten ITV police series that was popular in its day.
Don Taylor‘s production of Harley Granville Barker’s 1907 play Waste approaches space and performance through different directorial techniques to Rudolph Cartier, further demonstrating the variety of visual methods which ‘Edwardian’ dramas could be realized in the television studio.
Edwardian drama on television Between 1967 and 1985 (the period when the BBC regularly transmitted adaptations of classic theatrical plays in mainstream slots) 120 television adaptations of stage plays were transmitted by the BBC as either Plays of the Month, other similar series, or as one-off productions broadcast in the Play of the Month slot.