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1970s

This category contains 38 posts

The BBC Television Audience Research Reports and BBC Scotland Drama, 1964-82: Recorded Opinions and Invisible Expectations

Between the 1950s and the 1980s, the BBC’s internal Audience Research Unit compiled up to 700 television Audience Research reports per year, attempting to cover the complete spectrum of BBC TV programming. What I’m going to do today is consider the value of this material, in relation to my own work on the development of … Continue reading

‘Forgotten Television Dramas 2’ at BFI Southbank: ‘Play of the Month: Loyalties’ (BBC 1976)

Our second ‘Forgotten Television Dramas’ season concludes at 3.15 on Sunday afternoon with a screening of John Galsworthy’s ‘Loyalties’, unseen since 1976. The screening will be introduced by actor Edward Fox. Along with his many film and theatre credits over the last fifty years, two of Edward’s television appearances made soon after Loyalties demonstrate his … Continue reading

Not Forgotten – Black TV Writers

Stephen Bourne looks at some of the early black writers of British television drama.   The recent losses of Michael Abbensetts (1938-2016) and Buchi Emecheta (1944-2017) are a reminder that they were among the early black writers of British television drama. When they began writing for television in the 1970s there had already been several … Continue reading

‘Forgotten Dramas 2’ at BFI Southbank: ‘The Eagle Has Landed’ and ‘The Nearly Man’

Our Forgotten Dramas season continues on Monday 13 February at 6.20 pm in NFT2 with a double bill of 1970s political dramas, made by Granada, at which we will be very pleased to welcome the director of The Nearly Man, John Irvin, and the script-editor of The Eagle Has Landed, Jonathan Powell.  The Eagle Has … Continue reading

‘Forgotten Television Dramas 2’ at BFI Southbank: ‘Sunday Night Theatre: The Hotel in Amsterdam’ (ATV/ ITV, 1971)

  Our second ‘Forgotten Television Dramas’ season launches at 6.00 this evening with a screening of John Osborne’s ‘The Hotel in Amsterdam’, unseen since 1971. A full article about this play (and a later 2004 BBC production) can be found on our blog here. The screening will be followed by a discussion with the play’s … Continue reading

Not in Front of the Viewers

Stephen Bourne looks at how gay men were portrayed in British television drama from 1939 to 1979. Until Queer as Folk hit British television screens on Channel 4 in 1999, a television drama about gay men as revealing and sexually explicit as this would not have been possible. In Queer as Folk its openly gay … Continue reading

‘Forgotten Dramas 2: Rediscovering British Television’s Neglected Plays’ Season at BFI Southbank: February 2017

We are pleased to be able to announce details of the second ‘Forgotten Dramas: Rediscovering British Television’s Neglected Plays’ season, held at BFI Southbank this February, curated by Lez Cooke, John Hill and Billy Smart as a part of the AHRC-funded ‘History of Forgotten Television Drama in the UK’ project at Royal Holloway College, University … Continue reading

Barry Hanson (1943-2016)

When the film and television producer Barry Hanson died in June 2016 Christopher Hampton wrote an obituary for the Guardian which highlighted Hanson’s best-known productions: The Naked Civil Servant (1975) and The Long Good Friday (1980), referring also to Hanson’s work at the Royal Court Theatre and Hull Arts Centre in the late 1960s, but … Continue reading

Finding a fragment of a lost television drama: The last seven minutes of ‘Play of the Month: The Magistrate’ (BBC1 20 December 1972)

Researching old television drama is often an archaeological process. When programmes don’t survive, a trained historian and theorist can sometimes pick up (and hopefully convey) some idea of what they might have been like through secondary sources.

Julia Jones and ‘Home and Away’ (Granada, 1972)

“I want to say first that whenever I wrote a play, comedy or otherwise, I felt I must have an underlying theme which had something relevant to say about the times. Also to give women a fair crack of the whip.” (Julia Jones, 5 April 2005)

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