Our second ‘Forgotten Television Dramas’ season launches at 6.00 this evening with a screening of John Osborne’s ‘The Hotel in Amsterdam’, unseen since 1971. A full article about this play (and a later 2004 BBC production) can be found on our blog here. The screening will be followed by a discussion with the play’s … Continue reading
Stephen Bourne looks at how gay men were portrayed in British television drama from 1939 to 1979. Until Queer as Folk hit British television screens on Channel 4 in 1999, a television drama about gay men as revealing and sexually explicit as this would not have been possible. In Queer as Folk its openly gay … Continue reading
We are pleased to be able to announce details of the second ‘Forgotten Dramas: Rediscovering British Television’s Neglected Plays’ season, held at BFI Southbank this February, curated by Lez Cooke, John Hill and Billy Smart as a part of the AHRC-funded ‘History of Forgotten Television Drama in the UK’ project at Royal Holloway College, University … Continue reading
When the film and television producer Barry Hanson died in June 2016 Christopher Hampton wrote an obituary for the Guardian which highlighted Hanson’s best-known productions: The Naked Civil Servant (1975) and The Long Good Friday (1980), referring also to Hanson’s work at the Royal Court Theatre and Hull Arts Centre in the late 1960s, but … Continue reading
Researching old television drama is often an archaeological process. When programmes don’t survive, a trained historian and theorist can sometimes pick up (and hopefully convey) some idea of what they might have been like through secondary sources.
“I want to say first that whenever I wrote a play, comedy or otherwise, I felt I must have an underlying theme which had something relevant to say about the times. Also to give women a fair crack of the whip.” (Julia Jones, 5 April 2005)
Don’t have nightmares. We decided to open our season – ‘Dramatic Spaces: The Imaginative World of the TV Studio’ – with The Exorcism (BBC2, 5 November 1972) for two reasons.
Today’s post considers the specific nature of performance in multi-camera studio television drama of the 1970s, through textual analysis and production context of Hunters Walk (ITV/ATV 1973-76), a now-forgotten ITV police series that was popular in its day.
Don Taylor‘s production of Harley Granville Barker’s 1907 play Waste approaches space and performance through different directorial techniques to Rudolph Cartier, further demonstrating the variety of visual methods which ‘Edwardian’ dramas could be realized in the television studio.
BBC North East & Cumbria is not known for its drama productions, yet between 1971 and 1986 at least eleven dramatised documentaries were produced by this regional BBC production centre, two of them in three parts, making 15 half-hour programmes altogether.