Not every archive rediscovery is a dramatic recovery from an outside source such as a film collector selling a print on, or an original programme maker mentioning that they made an off-air recording of one of their shows. Many, perhaps the majority, of recovered programmes never actually left the archives, but have existed as mislabelled … Continue reading
We are pleased to be able to announce details of the ‘Drama She Wrote’ season, held at BFI Southbank this September and October, curated by Dick Fiddy and Billy Smart. The season presents a range of neglected TV dramas by women writers from the ’50s to the ’70s. The full line-up is: Drama She Wrote: … Continue reading
The second ‘Television’s Forgotten Dramas’ season at BFI Southbank was launched on 2 February 2017 with a screening of John Osborne’s The Hotel in Amsterdam, followed by a discussion about the play, John Osborne, and forgotten television drama more generally, with Anthony Page (the play’s original director, of both stage and TV versions) and playwright … Continue reading
Our second ‘Forgotten Television Dramas’ season launches at 6.00 this evening with a screening of John Osborne’s ‘The Hotel in Amsterdam’, unseen since 1971. A full article about this play (and a later 2004 BBC production) can be found on our blog here. The screening will be followed by a discussion with the play’s … Continue reading
We are pleased to be able to announce details of the second ‘Forgotten Dramas: Rediscovering British Television’s Neglected Plays’ season, held at BFI Southbank this February, curated by Lez Cooke, John Hill and Billy Smart as a part of the AHRC-funded ‘History of Forgotten Television Drama in the UK’ project at Royal Holloway College, University … Continue reading
Today’s post considers the specific nature of performance in multi-camera studio television drama of the 1970s, through textual analysis and production context of Hunters Walk (ITV/ATV 1973-76), a now-forgotten ITV police series that was popular in its day.
This post suggests how changing approaches to making television drama have emphasised different aspects of John Osborne’s dramaturgy, and the particular strengths of multi-camera, ‘as live’ studio production in establishing and evoking a play’s inner meaning.