We are pleased to be able to announce details of the second ‘Forgotten Dramas: Rediscovering British Television’s Neglected Plays’ season, held at BFI Southbank this February, curated by Lez Cooke, John Hill and Billy Smart as a part of the AHRC-funded ‘History of Forgotten Television Drama in the UK’ project at Royal Holloway College, University … Continue reading
Today’s post considers the specific nature of performance in multi-camera studio television drama of the 1970s, through textual analysis and production context of Hunters Walk (ITV/ATV 1973-76), a now-forgotten ITV police series that was popular in its day.
Forgotten screenwriter, Pat Hooker, had a number of scripts produced for British television in the 1970s, mainly in a range of popular series.
Each individual ITV company in the 20th century faced a difficult balance in making programmes for three different potential audiences; regional, national and international.
When the actor and writer Elizabeth MacLennan died on 23 June 2015 newspaper obituaries understandably focused on her work with the 7:84 Theatre Company, which she founded with her husband John McGrath and brother David MacLennan in 1971.
This paper looks at a British children’s television drama serial of the late 1960s, Tom Grattan’s War, and tries to establish its significance by asking a simple question: Who was this series made for?
This post suggests how changing approaches to making television drama have emphasised different aspects of John Osborne’s dramaturgy, and the particular strengths of multi-camera, ‘as live’ studio production in establishing and evoking a play’s inner meaning.
In my book A Sense of Place: Regional British television drama, 1956-82, I argued that the 1980s saw a shift away from the production of regional television drama in Britain towards more expensive filmed dramas that were attractive to overseas markets.