Our ‘Drama She Wrote’ season of neglected television plays by women writers at BFI Southbank continues at 6.20 on Wednesday 11 September with a double bill of plays by two famous novelists, memoirists, dramatists and playwrights, both of whom have been public figures in British culural life for over fifty years – Fay Weldon and … Continue reading
Not every archive rediscovery is a dramatic recovery from an outside source such as a film collector selling a print on, or an original programme maker mentioning that they made an off-air recording of one of their shows. Many, perhaps the majority, of recovered programmes never actually left the archives, but have existed as mislabelled … Continue reading
What follows is a transcript of a Q&A session with director Roy Battersby, following a screening of two episodes of Home and Away (Granada, 1972) at HOME, Manchester on Monday 27 March 2017, shown as part of a short season of Forgotten TV Drama. Home and Away is a 7-part serial written by Julia … Continue reading
Our Forgotten Dramas season continues on Monday 13 February at 6.20 pm in NFT2 with a double bill of 1970s political dramas, made by Granada, at which we will be very pleased to welcome the director of The Nearly Man, John Irvin, and the script-editor of The Eagle Has Landed, Jonathan Powell. The Eagle Has … Continue reading
Our Forgotten Dramas season continues on Friday 10 February at 8.40 pm in NFT2 with a double bill of two Granada dramas from 1968. It’s Dearer After Midnight and The House That Jigger Built were both written by John Finch, a writer probably best-known for A Family at War (Granada, 1970-72) and Sam (Granada, 1973-75), … Continue reading
We are pleased to be able to announce details of the second ‘Forgotten Dramas: Rediscovering British Television’s Neglected Plays’ season, held at BFI Southbank this February, curated by Lez Cooke, John Hill and Billy Smart as a part of the AHRC-funded ‘History of Forgotten Television Drama in the UK’ project at Royal Holloway College, University … Continue reading
“I want to say first that whenever I wrote a play, comedy or otherwise, I felt I must have an underlying theme which had something relevant to say about the times. Also to give women a fair crack of the whip.” (Julia Jones, 5 April 2005)
When the actor and writer Elizabeth MacLennan died on 23 June 2015 newspaper obituaries understandably focused on her work with the 7:84 Theatre Company, which she founded with her husband John McGrath and brother David MacLennan in 1971.
In my book A Sense of Place: Regional British television drama, 1956-82, I argued that the 1980s saw a shift away from the production of regional television drama in Britain towards more expensive filmed dramas that were attractive to overseas markets.